Saturday, June 5, 2010

Jewelry Book Censorship

Today's trip to the library was rather odd, so I thought I would share. I have just finished a Maymester class focusing on the history of jewelry which I greatly enjoyed. The book that we used as a textbook was Jewelry: From Antiquity to the Present by Clare Phillips. It was a thorough text and an easy read, but I wanted to research other titles on the subject. I am in the habit of checking out a library book, either from their catalog or from the interlibrary loan system, in order to peruse a title before purchase.

While flipping through the hardcover version of 7000 Years of Jewelry by Hugh Tait, I noticed something rather strange. Purple sticky notes were placed on some of the pictures. I've been known to use stickies to mark a place in a book, but not in the middle of the page. After viewing the second set I realized the intention of their placement. They were covering up nude images in the artwork. Seriously? In the adult non-fiction section? In the twenty-first century? So for your education, I present to you:

Purple Sticky: Cleansed for Your Protection

The makeshift censorship starts very soon in the book with the covering of a performance scene from an Egyptian tomb painting.



I'm going to guess that the topless dancers on the right were too distracting for the previous reader. I'm not completely certain what he/she found objectionable about the seated double pipes player on the left. Perhaps it was because they kept such bad company.



Was the reader offended by the poorly defined grapes or the satyr's lack of clothing?

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Looks like the cardinal virtues of Faith, Hope, and Charity had wardrobe malfunctions. Please note, the reader must have been running low on sticky notes or else the piece only warrented partial censor. Though in my opinion, that upper putti is suspect. Never trust a putti.



Noah's family was in too much of a rush to properly cover their naughty bits in the above cameo. But there was a storm a brewin'! The chickens needed to be covered 'cause everyone knows that chickens are dirty.



This Art Nouveau buckle is obviously a depiction of a woman lacking virtue and was in need of purple paper to shield viewers from her feminine wiles. Sigh. Isn't Office Depot just the best!?

Once again the puttie on the left escaped censor. Maybe it's because they are just so darn cute!

Lastly, apparently cleavage is also a sin. Cover that up woman! St. Eligius, the patron saint of goldsmiths, might be incited to lust should he gaze upon thee
.

The picture is so innocuous that I barked out a laugh when I uncovered it.



Censorship? Bored student prank? I have no idea. But I do live in the bible belt and it would not surprise me if a future TX-Board-of-Education Nutjob decided that children were not to view the above images without some intervention.

I showed the library clerk the book- she thought it was funny. I, on the other hand, was disturbed. Why are depictions of the human body in art thought of as wrong, evil, dirty, or something to be hidden? None of the images covered were even remotely erotic.

If that wasn't irritating enough, the glue from the culprit's notes has left an ooky residue on the color plates. That make them twice the twit in my book.

Sunday, January 11, 2009

My New Pet Rocks

Well, I found my Okenite! I attending the Dallas Fine Mineral show held at The Embassy Suites Hotel last year and one dealer from India had a few pieces in a trunk he hadn’t unpacked. I purchased two puff balls for $15 total. Pretty inexpensive way to satisfy an obsession, I thought. The show was outstanding with many cases of museum quality specimens provided by international sellers. My favorite was a natural-state silver piece (of course!).


The dealer got the rock out of his box and unwrapped the cotton packing material. He then plopped the little fur ball onto my out-stretched palm. As I was examining the fine crystal “fur” a group of kids came into the room. They immediately gravitated to where I was sitting and wanted to pet the rock. “Oooooh sorry! You may look all you like, but this rock is not for touching” The look they gave made me feel like I was the rock police, whose only goal was to suck the joy out of children’s lives.


In fact, I didn’t even feel comfortable picking it up off my hand and setting it back into its cotton nest. The little hairs are more durable than I assumed, but not by much. Below is the other rock I purchased which is still attached to its matrix rock.

I got a little silly during the photo shoot and placed a little model train man on the Okenite in order to distort the scale. In reality, the rock is only an inch in diameter.


Wednesday, April 30, 2008

It's All About the Rocks

My obsession with Okenite continues…



The gentleman in the above video mentions that the puffs can tolerate a little bit of petting. Good news, as I assumed it was so fragile that breathing on it was risky.

This Saturday at the Dallas Market Hall, the International Gem & Jewelry Show will be occurring. From their list of dealers, it appears that a heavy amount of bead vendors will be present.The majority of my current designs do not feature beads; therefore, I should be able to navigate through the show fairly quickly.

As I literally have buckets of uncut rocks to be slabbed or formed, I am having difficulty justifying the need for more stones. The issue lies in expertise; I know how to cut cabochons but faceted gems are not in my skill set.

The Pleasant Oaks Gem and Mineral Society was nice enough to send me a free admission ticket, so I really don’t have an excuse not to go. I’m certain my wallet won’t thank me though.

Monday, April 28, 2008

Trip to Smithsonian National Museum of Natural History

Earlier this month, my husband an I went to Washington, DC. I had timed the trip during the cherry blossom festival and the trees did not disappoint. We visited several museums, but my personal favorites were the Renwick and the Smithsonian National Museum of Natural History. I spent an almost absurd amount of time in the Janet Annenberg Hooker Hall of Geology, Gems and Minerals. It’s a shame that the website doesn’t have more images of the permanent collection- I believe it is still under construction.
I found several gems in the collection to be more interesting than the infamous Hope Diamond. The Napoleon Diamond Necklace has several old mine-cut diamonds in an elegant design. I was especially interested in the construction of the piece which did not look to be as well-built as more modern works. I was expecting cleaner looking settings, but thinking back, it was likely due to the rough and irregular shapes of the diamonds. More information on the piece can be found here.

The Napoléon Diamond Necklace. Photograph by Chip Clark, Smithsonian

The number of cases containing minerals and cut gems from every corner of the planet is a bit overwhelming. I was amazed and shocked at not only the multitude of specimens in cut and natural forms, but also the number of minerals I had never heard nor seen before (though I am admittedly no expert). Stibnite and okenite had to be included in my notebook for future research. Both are either soft or fragile, which explains why neither are mentioned in my jewelry references. Somehow, Smithsonite, had also escaped my notice.

My current obsession is Okenite, though. More information on its properties can be found on webmineral.com

Photo Copyright © John Betts - Fine Minerals

I am aware that one false move, and the delightful fuzzy crystals will break off and shed worse than my cat. I suspect my attraction to the mineral is due to my love of hamsters and tribbles.

I haven’t reached a solution to the display/wearablity problem but I’m letting the issue stew a bit before experimentation.

Saturday, April 26, 2008

Trip to Washington DC- The Renwick

Earlier this month my husband and I had the opportunity to museum hop in Washington, DC. One of the highlights of the trip was the Ornament as Art: Avant-Garde Jewelry from the Helen Williams Drutt Collection exhibit at the Renwick Museum. What an outstanding show! Not only were the pieces well crafted, but the displays were well thought out. Hand cut plexiglass supported collar/bib necklaces and half round metal tubes prevented straight/collapsed alignment of pendants on chains. Enough room was left in the display cabinets to allow viewers, like me, to peek around at the backs. Looking at pictures online or in books is always inspiring, but rarely are the backs of the pieces photographed. As my interest is technical in nature, it was nice to be able to see how the items were constructed. On a couple of brooches, I noticed double pin closures or multiple tie tacks.

The pieces are not for everyday, and would take a special kind of person with an outgoing personality to pull off wearing them. Most are not practical and some, I believe, were both designed and collected for their sculptural qualities rather than wear-ablity. Mrs. Drutt also collected design sketches of several of the works; a real treat to see a little bit of the creative process.

The piece above is by Gerd Rothmann, With 81 Fingerprints- a necklace made of gold discs.

I went ahead paid the $$ for the exhibit book, which is not a light tome by any means. By the end of the day, I felt like I had been dragging around a half grown kid. If I truly enjoy a show, I will purchase the book. I’ve never understood why people take pictures in museums (photography was prohibited in this show- to boost book sales I imagine). The glass creates such a terrible reflection and getting the details is very difficult. I’ll leave it to the professionals! Bonus: the book has a fuzzy touchable orange cover. Yes, I am a sucker for good design.


If in the area, I highly recommend viewing the exhibit which ends July 6, 2008.